Edit
Crew verified as complete
Apr 18, 2015 The mom takes slights against her family very personally, and it turns out she is indeed the one harassing the neighbor. As other slights befall her beloved family, the body count begins to increase. Video cannot be played. Feb 12, 2016 After a brief stint in Hollywood family friendly mainstream fare john waters returned to a more adult feature with serial mom. The film is a parody of made for TV true crime flicks and it hits every note associated with that including time and date stamps/ disclaimers. Kathleen Turner is. Released May 15th, 1994, 'Serial Mom' stars Kathleen Turner, Sam Waterston, Ricki Lake, Matthew Lillard The R movie has a runtime of about 1 hr 33 min, and received a score of 64 (out of 100) on.
Directed by
John Waters |
Writing Credits(WGA)
John Waters | .. | (written by) |
Cast (in credits order) verified as complete
Kathleen Turner | .. | Mom | |
Sam Waterston | .. | Dad | |
Ricki Lake | .. | Misty | |
Matthew Lillard | .. | Chip | |
Scott Morgan | .. | Detective Pike (as Scott Wesley Morgan) | |
Walt MacPherson | .. | Detective Gracey | |
Justin Whalin | .. | Scotty | |
Patricia Dunnock | .. | Birdie | |
Lonnie Horsey | .. | Carl | |
Mink Stole | .. | Dottie Hinkle | |
Mary Jo Catlett | .. | Rosemary Ackerman | |
John Badila | .. | Mr. Stubbins | |
Kathy Fannon | .. | Betty Sterner | |
Doug Roberts | .. | Ralph Sterner | |
Traci Lords | .. | Carl's Date | |
Tim Caggiano | .. | Marvin Pickles | |
Jeff Mandon | .. | Howell Hawkins | |
Colgate Salsbury | .. | Father Boyce | |
Patsy Grady Abrams | .. | Mrs. Jenson | |
Richard Pilcher | .. | Herbie Hebden | |
Beau James | .. | Timothy Nazlerod | |
Stan Brandorff | .. | Judge | |
Kim Goff | .. | Luann Hodges (as Kim Swann) | |
Suzanne Somers | .. | Suzanne Somers | |
Bus Howard | .. | Gus | |
Alan J. Wendl | .. | Sloppy | |
Patricia Hearst | .. | Juror #8 | |
Nancy Robinette | .. | Jury Forewoman | |
Peter Bucossi | .. | Rookie Cop | |
Loretto McNally | .. | Policewoman | |
Wilfred E. Williams | .. | Press A | |
Joshua L. Shoemaker | .. | Court TV Reporter | |
Rosemary Knower | .. | Court Groupie A | |
Susan Lowe | .. | Court Groupie B | |
John Calvin Doyle | .. | Carl's Brother | |
Mary Vivian Pearce | .. | Book Buyer | |
Brigid Berlin | .. | Mean Lady | |
Jordan Brown | .. | Police Officer | |
Anthony 'Chip' Brienza | .. | Vendor | |
Jeffrey Pratt Gordon | .. | Flea Market Boy | |
Shelbi Clarke | .. | Flea Market Girl | |
Nat Benchley | .. | Macho Man | |
Kyf Brewer | .. | Dealer | |
Teresa R. Pete | .. | Baby's Mother | |
Zachary S. Pete | .. | Church Baby | |
Richard Pelzman | .. | Doorman | |
Chad Bankerd | .. | Kid A | |
Johnny Alonso | .. | Kid B | |
Robert Roser | .. | Kid C | |
Mike Offenheiser | .. | Joe Flowers | |
Lee Hunsaker | .. | Girl | |
Michael Sinclair Walter | .. | Burglar A (as Michael S. Walter) | |
Mojo Gentry | .. | Burglar B | |
Gwendolyn Briley-Strand | .. | Mrs. Taplotter | |
Jennifer Mendenhall | .. | Reporter | |
Joan Rivers | .. | Joan Rivers | |
Catherine Anne Hayes | .. | TV Serial Hag | |
Susan Duvall | .. | Lady C | |
Valerie Yarborough | .. | Press | |
Jordan Young | .. | Kid | |
L7 | .. | Camel Lips | |
Jennifer Finch | .. | Camel Lips | |
Suzi Gardner | .. | Camel Lips | |
Demetra Plakas | .. | Camel Lips | |
Donita Sparks | .. | Camel Lips | |
John A. Schneider | .. | Husband A | |
Lyrica Montague | .. | Court Clerk | |
Rest of cast listed alphabetically: | |||
Bess Armstrong | .. | Eugene Sutphin's Nurse (uncredited) | |
Greg Coale | .. | Birdie's Father (uncredited) | |
David L. Marston | .. | Video Store Customer (uncredited) | |
Kim McGuire | .. | Stage Diver (uncredited) | |
John Poague | .. | Cop (uncredited) | |
Al Sotto | .. | Club Kid (uncredited) | |
John Waters | .. | Ted Bundy (voice) (uncredited) |
Produced by
Joseph M. Caracciolo Jr. | .. | executive producer (as Joseph Caracciolo Jr.) |
John Fiedler | .. | producer |
Pat Moran | .. | associate producer |
Mark Tarlov | .. | producer |
Music by
Basil Poledouris |
Cinematography by
Robert M. Stevens | .. | director of photography |
Film Editing by
Janice Hampton |
Erica Huggins |
Casting By
Paula Herold |
Pat Moran |
Production Design by
Vincent Peranio |
Art Direction by
David J. Bomba |
Set Decoration by
Susan Kessel |
Costume Design by
Van Smith |
Makeup Department
Betty Beebe | .. | makeup artist |
Kathryn Blondell | .. | hair stylist: Kathleen Turner |
E. Thomas Case | .. | makeup artist: Kathleen Turner (as Tom Case) |
Ardis Cohen | .. | hair stylist |
Janice Kinigopoulos | .. | additional hair stylist / additional makeup artist |
Barbara Lacy | .. | additional hair stylist / additional makeup artist |
Howard 'Hep' Preston | .. | second hair stylist |
Debi Young | .. | second makeup |
Production Management
John Currin | .. | post-production supervisor |
Margaret Hilliard | .. | post-production supervisor / unit production manager |
Second Unit Director or Assistant Director
Steve M. Davison | .. | second unit director |
Robert Rooy | .. | first assistant director: second unit |
Elisa Sansalone | .. | second second assistant director |
Lynn Wegenka | .. | key second assistant director |
Mary Ellen Woods | .. | first assistant director |
Art Department
Robert Barnaby | .. | construction foreman |
Jamie Bloom | .. | set dresser / swing gang |
Nelson K. Boatner | .. | carpenter |
Anthony L. Brennan Jr. | .. | painter |
Dana R. Casey | .. | carpenter |
Rebecca Castle | .. | painter |
Bobby Deal | .. | painter |
Patrick M. Egan | .. | carpenter |
Francesca Gerlach | .. | charge painter |
Jeffrey Pratt Gordon | .. | art department production assistant |
James Kelley | .. | carpenter |
Fred Livingston | .. | construction coordinator |
Salvatore J. Martines | .. | carpenter |
John Lindsey McCormick | .. | assistant to production designer |
Jim McWilliams | .. | greensman |
Lester Poser | .. | set dresser / swing gang |
Michael Sabo | .. | set dresser |
Kevin Ray Schneider | .. | construction department production assistant |
Claire Sharp | .. | painter |
Rob Simons | .. | draftsman |
R. Vincent Smith | .. | assistant property master (as R. Vince Smith) |
Sarah Stollman | .. | art department coordinator |
Thomas Turnbull | .. | carpenter |
Don White | .. | painter |
Lianne Williamson | .. | on-set dresser |
Brook Yeaton | .. | property master |
Joshua A. Burwell | .. | greensman (uncredited) |
Keith Weaver | .. | scenic (uncredited) |
Sound Department
Rick Angelella | .. | sound mixer |
Donna Barrett | .. | third boom operator (as Donna M. Barrett) |
David Franklin Bergad | .. | assistant sound editor |
Mark Berger | .. | rerecording mixer |
Dwayne Dell | .. | boom operator |
Frank E. Eulner | .. | sound editor (as Frank Eulner) |
Ernie Fosselius | .. | sound editor |
Mary Kaigler-Schaffer | .. | third boom operator |
Kyrsten Mate | .. | assistant sound editor (as Kyrsten Mate Comoglio) |
Jennifer Myers | .. | foley artist |
John Nutt | .. | supervising sound editor |
Margie O'Malley | .. | foley artist |
David Parker | .. | rerecording mixer |
E. Jeane Putnam | .. | sound editor |
Michael Semanick | .. | foley recordist |
Robert Shoup | .. | sound editor |
Mary Works | .. | assistant sound editor |
Philip Rogers | .. | sound recordist (uncredited) |
Special Effects by
Joe Digaetano | .. | special effects coordinator |
Robert Vazquez | .. | special effects assistant (as Bob Vazquez) |
Stunts
G.A. Aguilar | .. | utility stunts |
Steve M. Davison | .. | stunt coordinator |
Cheryl Wheeler Duncan | .. | stunt double: Kathleen Turner (as Cheryl M. Wheeler) |
Frank Ferrara | .. | utility stunts |
Christian J. Fletcher | .. | stunt double |
Michael Runyard | .. | utility stunts |
Gregg Smrz | .. | utility stunts |
Camera and Electrical Department
Ivan Allen | .. | electrician |
Alex Applefeld | .. | video playback operator |
Rhett Bloomquist | .. | electrician |
Jock Brandis | .. | musco light operator |
Phillip V. Caruso | .. | still photographer |
Frank Caslin | .. | generator operator |
Matt Craven | .. | dolly grip (as Matthew Craven) |
Robert W. Dorsey | .. | additional camera operator |
Sean Finnegan | .. | additional grip |
Rodney French | .. | grip |
Susan C. Ingram | .. | camera loader (as Susan Ingram) |
Dave Insley | .. | additional camera operator (as David Insley) |
Richard H. Kryder | .. | electrician |
Joe Kurtz | .. | grip |
Thomas Lappin | .. | second assistant camera (as Tom Lappin) |
Claiborne Lashley | .. | additional grip (as Clai 'Red Dog' Lashley) |
Michael Murray | .. | best boy electric |
Doug Nelson | .. | additional electrician (as Douglas Nelson) |
Suk Mei Ng | .. | 24 frame video operator |
David Renken | .. | additional electrician |
Erich Roland | .. | Steadicam operator |
Kyle Rudolph | .. | steadicam operator |
John Scanlan | .. | additional electrician (as John P. Scanlan) |
Steve Seitz | .. | additional grip |
Lee Shapira | .. | additional electrician |
Blackford 'Boots' Shelton | .. | first assistant camera (as Boots Shelton) |
Brian Snell | .. | additional grip |
John Sosenko | .. | camera operator |
John Sprague | .. | gaffer (as John F. Sprague) |
Josh Spring | .. | best boy grip |
Stuart Stein | .. | additional camera operator (as Stuart Paul Stein) |
Paul E. Sutton | .. | key grip |
Paul Thomas | .. | additional electrician |
Doug Wallick | .. | additional grip |
Chris Walters | .. | additional electrician |
Dave Wilkins | .. | grip |
Chris Williamson | .. | additional electrician |
Ed Slater | .. | rigging electrician (uncredited) |
Serial Mom Cast
Casting Department
Adam Fusco | .. | casting assistant |
Lee Hunsaker | .. | casting assistant |
John Strawbridge | .. | casting associate |
Costume and Wardrobe Department
Rolande Berman | .. | assistant costume designer |
Frances Cook | .. | additional costumer |
Deb Dalton | .. | additional costumer |
David Davenport | .. | wardrobe supervisor |
Cynthia Flowers | .. | costumer: Kathleen Turner (as Cindy Flowers) |
Mara Majorowicz | .. | set costumer |
Editorial Department
Shawna Callahan | .. | first assistant editor |
Joan E. Chapman | .. | assistant editor (as Joan Chapman) |
Jim Cricchi | .. | apprentice editor |
Fred Hyde | .. | color timer |
Tom San Martin | .. | negative cutter |
Arnold Shuster | .. | negative cutter (as Arnie Schuster) |
Stuart Sperling | .. | assistant editor |
Joe Violante | .. | dailies advisor |
Bob Wolfrum | .. | negative cutter |
Location Management
Debra Donaldson | .. | location manager |
Jon Mallard | .. | assistant location manager |
Music Department
Bones Howe | .. | music supervisor |
Rick Riccio | .. | music mixer / score recordist |
Tom Villano | .. | supervising music editor |
Greig McRitchie | .. | composer: additional music (uncredited) / orchestrator (uncredited) |
Transportation Department
Charles E. Bauer | .. | driver |
Bill Girard | .. | driver |
Jim Halstrom | .. | driver/operator |
James Daniel Hubbard | .. | driver |
Michael Luckeroth | .. | driver |
Salvatore R. Maffei | .. | driver |
Frank R. Matkins | .. | driver |
James J. Mulvaney | .. | driver |
Michael J. Mulvaney | .. | inset car driver |
Bob Phillips | .. | driver |
David Picarello | .. | driver |
Steve Pollack | .. | driver |
Salvatore A. Raimond | .. | driver |
Francis 'Tony' Raymond | .. | driver |
John E. Simms | .. | driver |
John Simonello | .. | picture car coordinator |
Ronald Smith | .. | transportation captain (as Ron Smith) |
Douglas A. Walk | .. | transportation co-captain |
John C. Watkins Sr. | .. | driver |
Foard J. Wilgis | .. | transportation coordinator |
Robert L. Willumsen | .. | driver |
Walter Wright | .. | driver |
Bruce Zamzow | .. | driver |
Joe Zappacosta | .. | driver |
Kenneth Ziegler Jr. | .. | driver |
Other crew
Penny Allesio | .. | animal trainer |
Sally Sue Beisel | .. | set production assistant |
Polly Brown | .. | assistant: Kathleen Turner |
Patrick N. Carey | .. | caterer |
Kerry Craven | .. | assistant production coordinator |
George Figgs | .. | projectionist |
Susan 'Mother' Gotschall | .. | craft service |
Scott A. Green | .. | projectionist |
Peter Haas | .. | publicist |
Cheri Hall | .. | production accountant |
Mitch Harris | .. | caterer |
Meloney Hudson | .. | accounting clerk |
Julie Hunsaker | .. | set production assistant |
Alecia LaRue | .. | production coordinator |
Cynthia Lejeune | .. | assistant production accountant |
Tia Lemke | .. | assistant to producers |
Adrienne Maxwell | .. | post-production accountant |
Steve McAuliff | .. | animal trainer |
Melissa A. McConnell | .. | stand-in |
Cindy Miller | .. | stand-in |
Peter Tully Owen | .. | office production assistant |
Connie Papineau | .. | script supervisor |
Thomas G. Perrigo | .. | caterer |
Bud Pezet | .. | stand-in |
Kristen Ploucha | .. | key set production assistant |
Jennifer Reese | .. | assistant to producers |
Joanne Reynolds | .. | medic |
Alan Rose | .. | title designer |
Patricia Schweers | .. | production secretary |
Colleen Roome Shelton | .. | assistant: John Waters |
Shannon Simms | .. | caterer |
Thanks
Gilly Babb | .. | special thanks |
Dennis Dermody | .. | The producers wish to extend their thanks to the following companies and personnel who contributed to the making of this motion picture |
David F. Friedman | .. | The producers wish to extend their thanks to the following companies and personnel who contributed to the making of this motion picture |
Marc Greenburg | .. | special thanks: trademarcs for excellent Cafe La Semeuse Coffee |
Don Knotts | .. | The Poducers wish to extend their thanks to: the following companies and personnel who contributed to the making of this motion picture (as Mr. Don Knotts) |
Greg Link | .. | The producers wish to extend their thanks to the following companies and personnel who contributed to the making of this motion picture: Rigamore Press |
Brian Maas | .. | special thanks: Belldock, Levine & Hoffman |
Arthur Machen | .. | special thanks |
Jack Machen | .. | special thanks |
Harry H. Novak | .. | special thanks |
Paul Reubens | .. | special thanks |
Ben Smith | .. | special thanks to: The Church of the Good Shepherd (as The Reverend Ben Smith) |
Greg Theakston | .. | The producers wish to extend their thanks to the following companies and personnel who contributed to the making of this motion picture: Pure Imagination |
Ken Werner | .. | The producers wish to extend their thanks to the following companies and personnel who contributed to the making of this motion picture: Octavia Press |
There is even something about the way he shows sunlight bathing a breakfast table that's amusing; his Sutphins look like they live in a cereal commercial. He has the look and feel of their middle-American neighborhood just right, but the movie's comic premise doesn't go anywhere with it.
Beverly, the Serial Mom, is played by Kathleen Turner, a brave actress who has ventured here where several other actresses reportedly feared to tread. One thing I like about Turner is her willingness to tackle unlikely roles; her agent probably warned her against Danny DeVito's 'War of the Roses,' for example, but she and the equally fearless Michael Douglas took that exercise in matrimonial bloodshed and made it ghoulishly effective.
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In 'Serial Mom,' though, it's not so much that Turner's performance doesn't succeed, as that there's something sad about it that works against the humor. All serial killers are insane (at least I hope so). But in a comedy they need to extract some sort of zeal and manic joy from their atrocities; they have to give the audience permission, for the time being, to suspend the ordinary rules of good conduct.
In the slasher movies, the humor comes because the killers are seen as the victims of their programming, repeating the same obsessive behavior over and over again; we laugh because we see their mistake. In the classic horror films, we're amused because the evil is so stylized we can't take it seriously; Vincent Price licks his lips and rolls his eyes and intones his pseudo-Shakespearean imprecations, and his behavior takes the edge off his actions.
Watch 'Serial Mom' closely, however, and you'll realize that something is miscalculated at a fundamental level. Turner's character is helpless and unwitting in a way that makes us feel almost sorry for her - and that undermines the humor. She isn't funny crazy, she's sick crazy. The movie shows her triggered by passing remarks (a garbage man says 'somebody ought to kill' a neighbor woman who refuses to recycle). She gets a weird light in her eyes that I guess we're supposed to laugh at, but, gee, it's kind of pathetic the way she goes into murderous action. Like 'Clifford,' this is a movie where the comedy doesn't work because at some underlying level the material generates emotions we feel uneasy about.
John Waters has, of course, been over some of this ground before; many of his films show a surface of inane suburban normality, pierced by the secret depravities of his inhabitants. After his early X-rated weirdo extravaganzas starring Divine, he scaled back to PG-land for 'Hairspray' (1988) and 'Cry Baby' (1990), invocations of the early 1960s and mid-1950s. Both films, like 'Serial Mom,' depend for a lot of their humor on his memories of a time when people seriously believed that cheese could come in cans.
His cast this time includes Ricki Lake (whom he discovered in 'Hairspray') as Misty Sutphin, the boy-crazy daughter who eventually begins to twig that something is wrong with mom; Sam Waterston as Beverly's unobservant husband, and Matthew Lillard as Chip, the brother whose bad grades at school inspire his mom to run down one of his teachers with her car. And, yes, that's Patricia Hearst in the jury box during Beverly's eventual trial (she inspires Beverly to write an urgent note to her attorney: 'Juror Number 8 is wearing white shoes after Labor Day!') The movie has some fun with how the family deals with their mother's serial murders (Misty sells T-shirts outside the courthouse), and of course Waters works in some movie parodies (although when Kathleen Turner spreads her legs in court in homage to Sharon Stone, it's more awkward and uncomfortable than funny).
The more I think about this film, the more interested I am in why it doesn't work. The crucial problem is that since we feel some sympathy for the Kathleen Turner character, we can't laugh at her. But underneath that, somehow, is Waters' own essential niceness.
He may have directed some of the most shocking and scatological films of our time, but at some level he always expresses a tenderness for his characters, and in 'Serial Mom' he is simply not able to be cruel enough to Beverly Sutphin to make her available for our laughter.
Time crisis 2 pc game free download. Waters seems typecast as the author of shocking suburban melodramas, but I suspect that trapped inside of him is the soul of an entirely different kind of storyteller.